向前、再向前
-新中国资深
版画家联展
艺术家：
古元、黄新波、彦涵、吴凡、黄永玉、荒烟、莫测等二十九位老版画家。
2009.01.10-03.06
开幕酒会：
2009年1月10日
15:00
010-87390246
Ever Moving Forward
-Socialist Print Masters from Earlier of Last Century
Artists:
Gu Yuan, Huang XinBo, Yan Han, Wu Fan, Huang YongYu, Huang Yan,
Mo Ce etc.
2009.01.10-03.06
010 87390246
Add: ChaoYang Dist. Jia No.4,Wang Si Ying Xiang, No.3 of GuanYinTang
Gallery Avenue.
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黄永玉《春潮》 |
石可《多好看啊》 |
 古元《南朝鲜人民的怒吼》
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李平凡《撒尼族的小学生》 |
古元《夏-玉带桥》 |
郝伯义《惊蛰》 |
中国版画始于二十世纪30年代鲁迅倡导的新兴木刻。随后，不断在人民大众火热的斗争中成长和壮大。油画、版画、雕塑是中国艺术的"三驾马车"。版画由于其"取材方便"、"创作灵活"、"战斗性强"等特点深深扎根中国。此次都美画廊展览的作品是解放初期版画。由于那个年代特殊的时代背景，决定了很多作品只为美术馆收藏，市场流通较少，因此这批早期原版原印的版画就显得尤为珍贵。
这些版画的作者皆是那个年代具备扎实深厚功力的造型高手。现在看来，他们的作品体现了当时的创作风格：朴素自然，追求对生活的真情体验和优美意境的表现；情感真挚，充满了对自然和现实生活的热爱。
"向前、再向前"，这是中国版画先驱们的工作状态，也是他们追求的方向。而今他们多数已到耄耋之年，甚至有人业已作古，但其作品表现出的那个时代对现实生活的真诚是现在的年轻艺术家很难做到的。都美画廊期望藉由这次展览，伴随大家一同追本溯源，展现老版画在新时期的收藏价值。 |
Chinese
print art has its roots in Lu Xun's new woodcut movement
of the 1930's, and since that time it has continued to grow
and strengthen through the struggles of the people. Oil painting,
printmaking and sculpture are the three methods of art that
China has imported from the West. Because of its convenient
materials, adaptability and strong militant tones, print art
has become the most rooted of these mediums. The works featured
in this exhibition at the DuMei Gallery are mostly from the
early revolutionary period. Due to the special nature of that
period and the state of the cultural market, many works were
collected by museums, and few are floating on the market, making
these early original prints especially precious.
The makers of these prints were all highly accomplished artists
of the time. Looking back now, their works embody the creative
style of the time: plain and natural woodcutting, a pursuit
of creative, true-to-life expressions, sincere emotions and
a passion for nature and real life. "Ever Moving Forward"
is the creative state in which these pioneers of Chinese printmaking
worked, and the direction they always pursued. Many of the artists
are in their old age or have even passed away, but the sincere
reflection on reality that is expressed in their work is an
achievement that many young artists would have trouble attaining.
At a time when the visual feast of contemporary art seems daunting
and inaccessible to much of the general public, this joint exhibition
of accomplished artists from the New China takes us back to
our roots and shows us the value of these old prints in a new
era. |
林军《合作社门前》 |
吴燃《两个村落之间》 |
曾景初《合作社的托儿所》 |
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